Most people don’t like bad guys. After all, they spend their real or fictional lives antagonizing others or themselves!
Bad guys make us sit on the edges of our seats, get sweaty palms, or even raise our heart rates. But are they really necessary for a good story?
YES! It’s been stated many times that conflict makes a story engaging or engrossing. What better way to create conflict than to have a bad guy antagonizing our hero. The greatest thrillers use this model and even dramatic stories successfully incorporate the bad guys into the plot line.
I’m a fan of Diana Galbadon (The Outlander Series and Starz Network Show). She has successfully created a number of bad guys that really set my teeth on edge and make my fingernails grow a couple of inches; all the better to claw their eyes out with! I hate the bad guys. I want them dead, gone, kaput! But, if they left the scene right away, what consequences would ensue? Sure, the protagonist would be “okay” but, would the story be as interesting if there was nothing to fear or be angry about? Would the reader really want to continue reading?
Not all stories use human characters to facilitate the bad guy persona. While many do, many authors are quite adept at using events and inanimate objects to antagonize the protagonists. A hurricane, health scare or disease outbreak, or financial crisis are just a few situations that are “bad” and can do much to facilitate character development and story interest. Situations a reader can relate to also help to grow interest and empathy from a reader. An author is not limited to human, breathing bad guys, but objects and events can be drafted to do the job.
I must admit I love “pulling the chains” of my “bad” characters. It is fulfilling, at times, to inflict emotional and/or physical distress on them. No, I’m not a sadist! But, writing in this manner is a great release of frustrations in my own life. I find it very cathartic and liberating. However, it is also rewarding to let some bad guys find redemption and become someone who is forgiven, loved, or even a savior of the protagonist. Either scenario, letting the bad guy stay bad and resolve the issues encountered with tragedy or letting him or her change and resolve the story in a more positive note make for writing that is captivating.
And if it makes for a best seller, all the better!
Until next time . . .